Biography |
| 1971 | Born April 26 New York |
| 1993 | Hampshire College, Amherst |
| 1994 | Zorach Fellowship to attend Skowhegan School of Painting and Sculpture |
| 1995 | MFA, Rhode Island School of Design |
| 1998 | Rema Hort Mann emerging artist grant |
| 2001 | New York Foundation for the Arts: Individual Artists Grant |
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| Lives and works in Brooklyn, NY. |
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Selected Solo Exhibitions |
| 2009 | Mark Down, Nolan Judin, Berlin |
| 2008 | Drawings about the present quickly become works about the past, Galleria Glance Turin |
| Now and Then, Kavi Gupta Gallery, Chicago |
| Saving Time, Galeria Nieves Fernández Madrid |
| Getting Ready, Dina4Projekte, Munich |
| Stripe Factory, Sister, Los Angeles |
| Material Recovery, Zach Feuer, New York |
| Danica Phelps: This Time last Year, Ritter/Zamet, London |
| Saving Time, Thirty Seven Degrees, Sydney |
| 2007 | Stripe Factory, Rotwand, Zurich |
| 2006 | Drawing Flowers, Dina4Projekte, Munich |
| Stretch, Sister, Los Angeles |
| Two Takes with Debi Ray-Chaudhuri, Allston Skirt Gallery, Boston |
| India: Two Views, project room with Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago |
| 2005 | Wake, Zach Feuer Gallery (LFL), New York |
| Integrating Sex Into Everyday Life, Galerie Schütte, Essen |
| Staub gfzgk*, Zurich |
| Getting My Money's Worth, Ritter/Zamet, London |
| 2 D.s - w/ Debi Ray-Chaudhuri, Kavi Gupta Gallery, Chicago |
| 2004 | Integrating Sex into Everyday Life, Allston Skirt Gallery, Boston |
| Writers Trade, Falconer Gallery, Grinnell |
| Judi Rotenberg Gallery, Boston |
| Integrating Sex into Everyday Life, Sister, Los Angeles |
| Galerie Hubert Winter, Vienna |
| 2003 | Integrating Sex into Everyday Life, LFL Gallery, New York |
| Ten Day Trade, OR Gallery, Vancouver |
| 2002 | Walking 9-5 Amsterdam, Annet Gelink Gallery, Amsterdam |
| New Drawings, Galerie Schütte, Essen |
| Artist, Collector, Curator, Spy, LFL Gallery, New York |
| 2001 | Trade Two, LFL Gallery, New York |
| 2000 | From Barcelona to Krems, Galerie Stadtpark, Krems |
| 2nd Generation, Herter Gallery: UMASS, Amherst |
| Bill Trip, Maine Center for Contemporary Art, Rockport |
| Bill Trip, Project Room, Roberts & Tilton, Los Angeles |
| Walking: From Los Angeles to San Fransisco, Michael Martin Gallery, San Francisco |
| 1998 | Funny Money, Jack Tilton Gallery, New York |
| 1994 | A Housewife at Work, Sol Koffler Gallery, RISD, Providence |
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Selected Group Exhibitions |
| 2008 | Sign/Age: Lost in the Supermarket, Armand Bartos Fine Art, New York |
| When a clock is seen from the side it no longer tells the time, Johann König, Berlin |
| The Enterprise of Art, Palazzo delle Arti Napoli, Naples |
| Linear Perspectives, Center for Maine Contemporary Art, Rockport |
| Collecting & Collectivity, Conduit Gallery, Dallas |
| Slightly Unbalanced, Chicago Cultural Center, Chicago, IL; Museum London, Ontario; Huntington Museum of Art, Huntington; Paul and Lulu Hilliard University Art Museum, Lafayette; Joel and Lila Harnett Museum of Art, University of Richmond Museums, Richmond |
| A Matter of Time, Andrea Meislin Gallery, New York |
| 2007 | Perspectives 159: Superconscious, Automatisms Now, Contemporary Museum of Art, Houston |
| Skirting the Line: Conceptual Drawing, The New Center for Contemporary Art, Louisville |
| Drawing is a verb, Coleccao Madeira Corporate Services, Porta 33, Itha da Porta |
| The Price of Everything... Perspectives on the Art Market, City University of New York Graduate Center, New York, curated by the Whitney Museum Independent Study Program |
| Ceci n'est pas... (this is not...), Sara Melltzer Gallery, New York |
| Tease, MNireille Mosler, Ltd., New York |
| Warhol & ..., Kantor/Feuer, Los Angeles |
| Summer Group Show, Galleria Glance, Turin |
| Minimalism and Applied, DaimlerChrysler Contemporary, Berlin |
| Don't Look: Contemporary Drawings from an Alumna's Collection, Martina Yamin, Class of 1958, Davis Museum and Cultural Center at Wellesley College, Wellesley |
| A Great Delicacy, Taylor De Cordoba Gallery, Los Angeles |
| 2006 | Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca |
| I'm Busy, GAK Gesellschaft für Aktuelle Kunst, Bremen |
| Particulate Matter, Mills College Art Museum, Oakland |
| Walking & Falling, Magasin 3 Konsthall, Stockholm |
| Skirting the Line: Conceptual Drawing, DePauw University, Greencastle |
| Group show, Studio Guenzani, Milan |
| 2005 | The General's Jamboree, Guild and Greyshkul, New York |
| Dating Data, Josee Bienvenu Gallery, New York |
| Linien Zeichnung, Dina4Projekte, Munich |
| 22 Anniversary, Jack Tilton Gallery, New York |
| 2004 | Emotions, Guild & Greyshkul, New York |
| Wiener Linien, Wien Museum, Vienna |
| Dessin et Des Autres, Catherine Bastide, Brussels |
| California Earthquakes, Daniel Reich Gallery, New York |
| Erotic Drawings, Aldrich Museum of Art, Ridgefield |
| Self Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln |
| Open, Brooklyn Museum of Art, Brooklyn |
| Home, D.U.M.B.O. Arts Center, Brooklyn |
| Art As Autobiography, Rare Gallery, New York |
| Sexy Beast, Ethan Cohen Fine Art, New York |
| 9th Drawing Invitational, Arkansas Arts Center, Little Rock |
| Kunsthalle Exnergasse, Vienna |
| Neoqueer, Center of Contemporary Art, Seattle |
| Brooklyn Museum of Art, Brooklyn |
| Farnsworth Museum of Art, Rockland |
| 2003 | I'm nothing with out you, Platform Gallery, Istanbul |
| Frankenstein, Tanya Bonakdar Gallery, New York |
| Fresh Meat, Cepa Gallery, Buffalo |
| Living Inside the Grid, New Museum of Contemporary Art, New York |
| For the Record: Drawing Contemporary Life, Vancouver Art Gallery |
| Walking Rhetorics, Galerie Hubert Winner, Vienna |
| New York Drawings, Samuel Harn Museum of Art, University of Florida, Gainesville |
| Subscribe, Bard Center for Curatorial Studies, Annadale |
| 2002 | Bootleg Identity, Caren Golden Fine Art, New York |
| Special Needs, Verein für Bildende Kunst, Graz |
| 2001 | Domestic Culture, ICA at MECA, Portland |
| Contemporary Narratives, Skidmore College, Saratoga Springs |
| Brooklyn!, ICA at Palm Beach, Palm Beach |
| Going:, Urban Institute of Contemporary Art, Grand Rapids |
| No where Fast, Lizebeth Oliveria Gallery, Oakland |
| In Transit, Vacancy Gallery, Bronx |
| Inside the City, Gallery 400, UIC, Chicago |
| Another Cusp, Gallery of Colgate University, Hamilton |
| Let's Get to Work (travel), Susquehanna Art Museum, Harrisburg |
| 2000 | Vida Politica, (cat.) SALA MONTCADA “la Caixa”, Barcelona |
| To Be Continued..., Art in General, Bellwether, Parlor Projects, Brooklyn |
| 1999 | Time and Duration, Angels Gallery, Santa Monica |
| 100 Drawings, PS1, New York |
| Gallery Artists, Jack Tilton Gallery, New York |
| Document, Hampshire College, Amherst |
| 1998 | Inventory, White Columns, New York |
| 1995 | The Body Politic, Maine Coast Artists, Rockport (2 person show) |
| Subjectifying Objects, Mobilizing Objects, (2 person show) Artemesia Gallery |
| These Fantasies are Normal, HERE Gallery, New York, NYBorn April 26 New York |
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Publications |
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Monographs And Catalogues |
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| 2008 | Adriano Pedrosa, Desenhos [drawings]: A-Z, Colecção Madeira Corporate Services. |
| David Torres, Danica Phelps: Saving Time. Galeria Nieves Fernández. |
| 2007 | Gabriele Makert, Bin Beschäftigt, Bremen: GAK Gesellschaft für Aktuelle Kunst. |
| David Mickenberg, Don’t Look, Contemporary Drawings from the Collection of an Alumna (Martina Yamin, Class of 1958), Wellesley: Davis Museum and Cultural Center, Wellesley College. |
| Renate Wiehager, DaimlerChrysler Collection. Minimalism and Applied I. September 21, 2007 – January 27, 2008, Berlin: DaimlerChrysler Contemporary, pp. 68 – 71. |
| Minnie Scott, The Price of Everything…Perspectives on the Art Market, New York: Whitney Museum of American Art and Yale University Press. |
| 2005 | Stuart Horodner, Contemporary Erotic Drawing, Connecticut: The Aldrich |
| Contemporary Art Museum, Pp. 80-81. |
| Danica Phelps, A Book of D’s, Volume and Zach Feuer Gallery. |
| Danica Phelps, Every Day Life, Grinnell College. |
| 2004 | Katy Siegel and Paul Mattick. Art Works: Money, London: Thames & Hudson. |
| 2003 | Daina Augaitis, For the Record: Drawing Contemporary Life, Vancouver Art Gallery. |
| Dan Cameron and Lisa Phillips, Living Inside the Grid, New Museum of Contemporary Art, New York. |
| Ingrid Chu, Danica Phelps: Artist, Collector, Curator, Spy, in Subscribe: Recent Art in Print. New York: Center for Curatorial Studies at Bard College, 76-88. |
| 2002 | Christiane Dressler, Die Kunst der Nackten Tatsachen, November, 2002 pg. WES 05. |
| 2001 | Leah Koransky , Contemporary Narratives, Saratoga Springs: Skidmore College. |
| Nahas and Rush , Brooklyn, Palm Beach: Institute for Contemporary Art. |
| Linda Weintraub, EnvironMentalities: Twenty-Two Approaches to Eco-Art, Artnow Publications, 47-51. |
| 2000 | David Torres, Danica Phelps, Aleksandar Ilic, Ivana Keser. Barcelona: Fundacio “la Caixa”. |
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Reviews |
| 2008 | Laura Barreca, The Enterprise of Art, Palazzo delle Arti Napoli, 16 May — 30 June 2008. |
| Carroll Dunham, Black Whole, Artforum March 2005: 206-11. |
| Lauren O’Neill-Butler, Danica Phelps, Artforum, October 2008: 385. |
| Karen Rosenberg, Danica Phelps, The New York Times, July 11, 2008. |
| Rachel Churner, Critic Picks: Danica Phelps, artforum.com, July 2008. |
| Michael Killeen, Art by the Inch. Bloomberg.com, July 1, 2008. |
| David Cohan, The Erotic, the Political, and the Personal, The New York Sun, June 26, 2008: 25. |
| Eva Pelczer, Danica Phelps: Painted. NY Arts, July/August 2008. |
| Leah Ollman, Danica Phelps at Sister, Art in America, June / July 2008: 203. |
| Taylor Coburn, Details: Danica Phelps, Artreview, June 2008. |
| Ginny Gordon, Danica Phelps: Saving Time. Time Out Sydney, June 4-10, 2008. |
| Susan Hapgood, Slightly Unbalanced, Slightly Unbalanced Catalogue, Independent Curators International, 2008: 43-45, 68. |
| Morgan Falconer, Zach Feuer, Art World, April/May 2008. |
| Leah Ollman, Danica Phelps reveals life’s details in stripes, Los Angeles Times, March 7, 2008. |
| Kristin Friedrich, The ‘Don’t Miss’ List, Los Angeles Downtown News, Feb. 18, 2008. |
| 2007 | Noah Simblist and Charissa N. Terranova, Collecting and Collectivity, Art Lies, Winter 2007: 66 – 71. |
| Caroline Starry LeBlanc, Superconscious, Automatisms Now, Houstonist, December 13, 2007. |
| Dominique Von Burg, Zürich: Danica Phelps in der Galerie Rotwand, Kunstbullentin, December 2007. |
| Sarah Douglas, Show Me the Money, Art+Auction Nov. 2007: 212-217. |
| Robin Steele, ’Starving Artist’ keeps tabs on her dinner and her art, Brown Daily Herald, September 28, 2007. |
| 2006 | Slightly Unbalanced, ICI, 2007: 12. |
| Three exhibitions at CMCA explore worlds beyond, Village Soup, December 31, 2006. |
| Leah Ollman, The Art of Credits and Debits. Los Angeles Times, May 5, p. E26. |
| 2005 | David Cohen, Gallery-Going, The New York Sun, September 22. |
| Grace Glueck, Airborne Sex and Wicked Wallpaper: Sensual Samplings, The New York Times, July 29. |
| Christine Hill, Artists on Artists: Christine Hill on Danica Phelps. Bomb, Spring, No. 91, pp. 14-15. |
| Bryony Roberts, Splish Splash, The L Magazine, Sept 28 - Oct 11, p. 57. |
| Jerry Saltz, Ups and Downs, The Village Voice, September 23. |
| Roberta Smith, Danica Phelps, The New York Times, September 9. |
| The Autumn Art Scene; Top 10 shows to see right now, The L Magazine, Sept 28-Oct 11, p 63. |
| 2004 | David Cohen, As Sprawling as Brooklyn Itself. New York Sun, April 22. |
| Catherine Foster, Her art is out of the ordinary, The Boston Globe, February 13. |
| Charles Giuliano, Making Their Mark, Maverick Arts, issue 128, February 22. |
| Kunst Raum: Galerie Hubert Winter: Leib, Die Presse.com, October 28, p. 39. |
| Edward Leffingwell, Danica Phelps at LFL, Art in America, April, pp. 127-128. |
| Suzanne Snider, Interview: Danica Phelps, The Believer, July, Vol. 2, No. 7. |
| L.P. Streitfeld, Business not as usual at Uconn, The Advocate & Greenwich Time, January 11. |
| James A. Lopata, Who Are You? Who? Who? Who? Who?, newsweekly, Boston, February 18, pp. 26-27. |
| Natalie Loveless, Danica Phelps at Allston Skirt Gallery, Big Red & Shiny, Issue 02, February. |
| Nina McLaughlin, The Artist As Actuary. The Boston Phoenix, February 6-12. |
| Susan Ode, Words without Varnish, Review (Faulconer Gallery magazine). September, p. 57. |
| Jerry Saltz, Termite Theory, The Village Voice, June 23-29, p. 89. |
| Nina Schedlmayer, Galerie Hubert Winter: Danica Phelps, Art Magazine Kunstnet.at, Nov. 3. |
| Nicole Scheyerer, Kunst Kurz, Falter 44/04, p. S39. |
| Self-Evidence: Identity in Contemporary Art, Artdaily.com, April 8. |
| 2003
| Leslie Anderson, Illustrating a Journey and saving the receipts, The Boston Globe, pg. Cal-1, July 3. |
| David Cohen, Gallery-Going, The New York Sun, September 11, p. 17. |
| Galleries – Chelsea, The New Yorker, September 29, p. 26. |
| Benjamin Genocchio, Biting the Hand That Feeds Them, The New York Times, December 7, (CT ed.). |
| Jane Harris, Danica Phelps, Time Out New York, September 18-25, p. 58. |
| Kim Levin, Voice Choices, The Village Voice, September 3-9, p. 51. |
| Danica Phelps, Lunch with the Editor, Cabinet, March, Subscription Card. |
| Frances Richard, Danica Phelps, Artforum, November, p. 192. |
| Roberta Smith, When Exhibitions Have More to Say Than to Show, New York Times, April 13, p. 31. |
| 2002 | Gioni and Subotnick Cattelan, Charley 02, Les Presses du Reel, Dijon. |
| Holland Cotter, Danica Phelps, The New York Times, E33, April 26. |
| Adrian Dannatt, Free art-as in unpaid The Art Newspaper, pg. 18 April. |
| Editors Train to Essen, Coolibri, December, pg. 68. |
| Editors, Neue Ruhr Zeitung, December 4. |
| Massimiliano Gioni, New York Cut Up, Flash Art, pg. 79, June. |
| Eleanor Heartney, Brooklyn! at Palm Beach ICA, Art in America, April, pg. 157. |
| Hms, Danica Phelps, Heinz Essen, November, pg. 42. |
| Kim Levin, Voice Choices, The Village Voice, April 30, p. 78. |
| Kim Levin,. “Voice Choices: Bootleg Identity.” The Village Voice, July 23, p. 76. |
| Rosalija Linke, Danica Phelps, Sterz, November, pg. 34-37. |
| Alan Moore, Materialist Memoranda, Artnet.com, May 6. |
| Karen Rosenberg, Copy Cat, The Village Voice, May 7, p. 63. |
| Scott Speh, Hot Commodities, Issue 15, Spring. |
| Sarah Valdez, Bootleg Identity, Time Out New York, June 27. |
| Juame Vidal, Dos Exposiciones en la Sala Montcada Penetran en lo Privado, El Pais, February 10. |
| 2001 | Julie Caniglia, Danica Phelps at LFL Gallery, Artforum, May, p. 179. |
| Sophie Fels, Goings on About Town.” The New Yorker, March 26, p. 22. |
| Chris Thompson, Domus Operandi, The Portland Phoenix, March 16. |
| 2000 | Holland Cotter, For Hikers Seeking Art, Brooklyn is a Left Bank, The New York Times, Dec 15. |
| James Hoff, The Art is in the Details, Daily Hampshire Gazette, February 17. |
| Juame Vidal, El Arte de la Normalidad, Arte, February 2, p. 50. |
| 1999 | Roberta Smith, Conceptual Art: Over And Yet Everywhere, The New York Times, April 25. |
| Gregory Volk, Danica Phelps at Jack Tilton, Art in America, July, p. 96. |
| 1998 | Holland Cotter, A Tour Through Chelsea, The New Center Of Gravity, The New York Times, May 15. |
| Howard Halle, Danica Phelps, Funny Money, Time Out New York, Dec 17-31, p.106.
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| Ken Johnson, Danica Phelps, Funny Money, The New York Times, Dec 11. |
| Kim Levin, Voice Choice: Danica Phelps, The Village Voice, December 18-25. |
